{"id":151,"date":"2023-01-29T17:41:39","date_gmt":"2023-01-29T16:41:39","guid":{"rendered":"https:\/\/giuseppepetruzzellis.com\/?page_id=151"},"modified":"2024-04-02T13:46:27","modified_gmt":"2024-04-02T12:46:27","slug":"bio-2","status":"publish","type":"page","link":"https:\/\/giuseppepetruzzellis.com\/index.php\/en\/bio-2\/","title":{"rendered":"BIO"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>bio<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-1024x683.jpg\" alt=\"\" class=\"has-border-color has-ast-global-color-4-border-color wp-image-656\" style=\"border-width:28px;border-radius:52px\" srcset=\"https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-1024x683.jpg 1024w, https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-300x200.jpg 300w, https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-768x512.jpg 768w, https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-1536x1024.jpg 1536w, https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Giuseppe Petruzzellis (<strong>1983<\/strong>), BA and MA in Audiovisual Communication. <\/p>\n\n\n\n<p>From 2004 to 2009 he worked as an investigative journalist for the Italian National Public Broadcasting Company <strong>RAI<\/strong>. <\/p>\n\n\n\n<p>In 2007 he established <strong>APLYSIA<\/strong>, a production company specialised in creative documentaries. Since then he has collaborated on more than 70 film projects (19 features), working as screenwriter, producer, director, editor, cinematographer and colorist. <\/p>\n\n\n\n<p>Most of the feature films he has edited participated to major film festivals (<strong>Venice Biennale \u2013 Giornate degli autori<\/strong> | <strong>CPH:DOX*<\/strong> | <strong>Sheffield Doc Fest<\/strong> | <strong>Cin\u00e9ma du R\u00e9el <\/strong>| etc.), were broadcasted on TV (<strong>RAI<\/strong> | <strong>Sky<\/strong> | <strong>Arte<\/strong>) and have had theatre releases in Italy. <\/p>\n\n\n\n<p>The short documentaries he has previously directed participated and were awarded at <strong>Ji.hlava IDFF<\/strong> | <strong>Milano Film Festival<\/strong> | <strong>MakeDox<\/strong> | <strong>Interfilm<\/strong> | <strong>Visioni dal Mondo<\/strong> | <strong>Hors Pistes &#8211; Centre Pompidou<\/strong> | etc.<\/p>\n\n\n\n<p>In 2023 he has completed <strong><em>La Ricerca<\/em><\/strong>, his debut feature film, World Premiere and <strong>Special Youth Jury Award <\/strong>at\u00a0<strong>Visions du Re\u00e9l<\/strong>, <strong>Grand Prize at Le FIFA<\/strong>, <strong>Special Mention Hera &#8220;New Talents&#8221; at BIOGRAFILM<\/strong>, <strong>Best Editing at Documentaria<\/strong> and <strong>Andrea Pazienza<\/strong> <strong>Award<\/strong> at <strong>Premio Libero Bizzarri<\/strong>.<\/p>\n\n\n\n<p><strong>Awards<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>La Ricerca<\/strong> &#8211; Grand Prize &#8211; Le FIFA (2024)<\/li>\n\n\n\n<li><strong>La Ricerca &#8211;<\/strong> Andrea Pazienza Award &#8211; Premio Libero Bizzarri (2023)<\/li>\n\n\n\n<li><strong>La Ricerca<\/strong> &#8211; Best Editing &#8211; Documentaria (2023)<\/li>\n\n\n\n<li><strong>La Ricerca<\/strong> &#8211; Special Mention Hera &#8220;New Talents&#8221; &#8211; BIOGRAFILM (2023)<\/li>\n\n\n\n<li><strong>La Ricerca<\/strong> <strong>&#8211;<\/strong> Special Youth Jury Award &#8211;&nbsp;Visions du R\u00e9el (2023).<\/li>\n\n\n\n<li><strong>Non ti scordar di me &#8211;<\/strong> best experimental documentary &#8211; DOC.LONDON (2023)<\/li>\n\n\n\n<li><strong>Non ti scordar di me &#8211;<\/strong> best short &#8211; Segni della notte (2022)<\/li>\n\n\n\n<li><strong>Non ti scordar di me &#8211;<\/strong> best underground film &#8211; Los Angeles Super Shorts (2022)<\/li>\n\n\n\n<li><strong>Non ti scordar di me &#8211;<\/strong> best experimental film &#8211; Verona IFF (2022)<\/li>\n\n\n\n<li><strong>Non ti scordar di me &#8211;<\/strong> best editing &#8211; Prisma Rome Film Award (2022)<\/li>\n\n\n\n<li><strong>Non ti scordar di me &#8211;<\/strong> best short &#8211; Mescalito Biopic (2021)<\/li>\n\n\n\n<li><strong>La Ricerca &#8211;<\/strong> \u201cL\u2019Atelier\u201d post-production grant &#8211; Milano Film Network (2021)<\/li>\n\n\n\n<li><strong>Non ti scordar di me &#8211; <\/strong>special mention &#8211; Visioni dal Mondo (2021)<\/li>\n\n\n\n<li><strong>Io ti guardo ogni giorno&#8230; &#8211; <\/strong>best doc &#8211; Corti in cortile (2018) \/ editor<\/li>\n\n\n\n<li><strong>La Ricerca &#8211;<\/strong> development grant &#8211; Milano Film Network (2016)<\/li>\n\n\n\n<li><strong>La Terza Riva &#8211; <\/strong>best cinematography &#8211; Corto Tendenza (2015) \/ producer and editor<\/li>\n\n\n\n<li><strong>La Terza Riva &#8211;<\/strong> special mention &#8211; Verona Video Festival (2015) \/ producer and editor<\/li>\n\n\n\n<li><strong>The Golden Temple &#8211;<\/strong> best soundtrack &#8211; Sulmonacinema (2012) \/ producer and editor<\/li>\n\n\n\n<li><strong>The Museum of Wonders &#8211; <\/strong>special mention &#8211; Salento Film Festival (2011) \/ producer and editor<\/li>\n\n\n\n<li><strong>The Museum of Wonders &#8211;<\/strong> best project &#8211; Fantafestival (2011) \/ producer and editor<\/li>\n\n\n\n<li><strong>Industrial Bay &#8211;<\/strong> Slow food award &#8211; Vicoli Corti Film Festival (2011)<\/li>\n\n\n\n<li><strong>Fiumara d&#8217;Arte &#8211;<\/strong> \u201cFAI il tuo film\u201d grant &#8211; Milano Film Festival (2010)<\/li>\n\n\n\n<li><strong>Industrial Bay &#8211; <\/strong>Hors Pistes award &#8211; Venice Circuito Off (2010)<\/li>\n\n\n\n<li><strong>Terrible Truth &#8211;<\/strong> best editing &#8211; Villanova in Corto (2010) \/ editor<\/li>\n\n\n\n<li><strong>Industrial Bay &#8211;<\/strong> mention in the national yearbook \u201cYoung Blood\u201d (2009)<\/li>\n\n\n\n<li><strong>Industrial Bay <\/strong>&#8211; \u201cFAI il tuo film\u201d award &#8211; Milano Film Festival (2009)<\/li>\n\n\n\n<li><strong>Vida Loca &#8211;<\/strong> best film &#8211; DocUnder30 (2009) \/ producer, writer, editor<\/li>\n\n\n\n<li><strong>Vida Loca &#8211;<\/strong> best documentary &#8211; Sedicicorto (2008) \/ producer, writer, editor<\/li>\n\n\n\n<li><strong>Vida Loca<\/strong> &#8211; Fondazione Libero Bizzarri Award(2008) \/ producer, writer, editor<\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-bc897d46 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\"><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>bio Giuseppe Petruzzellis (1983), BA and MA in Audiovisual Communication. From 2004 to 2009 he worked as an investigative journalist for the Italian National Public Broadcasting Company RAI. In 2007 he established APLYSIA, a production company specialised in creative documentaries. Since then he has collaborated on more than 70 film projects (19 features), working as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":656,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-151","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"uagb_featured_image_src":{"full":["https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-scaled.jpg",2560,1707,false],"thumbnail":["https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-150x150.jpg",150,150,true],"medium":["https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-300x200.jpg",300,200,true],"medium_large":["https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-768x512.jpg",768,512,true],"large":["https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-1024x683.jpg",1024,683,true],"1536x1536":["https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/giuseppepetruzzellis.com\/wp-content\/uploads\/2023\/02\/GP_Portrait_v02-2048x1365.jpg",2048,1365,true]},"uagb_author_info":{"display_name":"Giuseppe Petruzzellis","author_link":"https:\/\/giuseppepetruzzellis.com\/index.php\/author\/gpaplysia-net\/"},"uagb_comment_info":0,"uagb_excerpt":"bio Giuseppe Petruzzellis (1983), BA and MA in Audiovisual Communication. From 2004 to 2009 he worked as an investigative journalist for the Italian National Public Broadcasting Company RAI. In 2007 he established APLYSIA, a production company specialised in creative documentaries. 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